Baroque Violin Shop Cincinnati Oh (2024)

FAQs

Who was the best violin maker of the baroque era? ›

In fact, most of the most highly prized modern violins were built during the baroque era by makers like Amati, Stradivari, and Guarneri.

During the Baroque period, the use of higher positions on the violin increased. In 1600, the highest note in regular use was the C above the E-string, while by 1700 the A one octave above the E-string was relatively common (being, for instance, the highest note used in Bach's violin music).

The main differences are that the fingerboard is shorter, the neck is shorter, the fingerboard and tailpiece are made of maple, with an ebony covering (sometimes). You can get a baroque violin with decorated sides, tailpieces, and fingerboards for a higher price.

Baroque violin playing has a gentler tone with hardly any vibrato. The complex nuances of bowing give it a sort of swelling-fading sound. It's very free-flowing and expressive. Some new technology improves old technology.

The violins of Antonio Stradivari are considered to be the world's best violins because of the tone which they are capable of producing. Even in a large concert hall with an audience of thousands of players, musicians playing on Stradivarius violins can be heard from even the furthest seats in the venue.

The twenty known Andrea Amati instruments that survive today include several rumored to have been part of a set of 38 instruments commissioned by Catherine de Medici for the French Court upon the coronation of her son, King Charles IX, in 1560.

24 Caprices by Paganini: Often recognized as one of the hardest works for solo violin, Paganini's Caprices are comprised of twenty four incredibly demanding pieces for the violin, loaded with double stops, left-hand pizzicato, and endless spiccato bowing.

Vibrato was also well known and much valued during baroque times in its application on the clavichord, known in German as Bebung. The depression of the key strikes the string directly thus permitting variation of touch (hard/soft), as well as a form of vibrato achieved by moving the key gently from side to side.

I was thinking today, about Stradivari violins and such, and the period that they were made in, which happens to be the BAROQUE period. (~1590-1725).

Piano vs violin difficulty: a detailed analysis

For beginners, the piano might seem more approachable due to its straightforward note production – press a key, and a note sounds. The violin, with no frets to guide finger placement and the need for bow control, can present a steeper initial learning curve.

Is violin harder then guitar? ›

This is because playing the violin requires an intricate understanding of note reading, technique, and intonation. On the other hand, learning to play the guitar requires only basic knowledge about chords and picking techniques, which can be easily picked up by beginners in just a few days.

One compelling reason to opt for the cello is its initial ease of play. The instrument's position feels more natural, making it potentially less intimidating than the violin, which can seem more challenging initially but becomes easier over time.

A415 (A=415 Hz), on the other hand, refers to a lower pitch. It means that the A above middle C is tuned to 415 Hz. This tuning is commonly associated with historically informed performance practice, particularly music from the Baroque period and earlier.

The music characteristics of the Baroque Era included fast movement, ornamentation, dramatic alterations in tempo and volume, and expressiveness.

Italian luthier, Antonio Stradivari, has been widely regarded as the greatest violin maker in history for quite some time. Born in Cremona in or around 1644, Stradivari was a pupil of Nicolò Amati when he began his career as a violin maker.

Among the greatest painters of the Baroque period are Velázquez, Caravaggio, Rembrandt, Rubens, Poussin, and Vermeer.

Antonio Vivaldi (born March 4, 1678, Venice, Republic of Venice [Italy]—died July 28, 1741, Vienna, Austria) was an Italian composer and violinist who left a decisive mark on the form of the concerto and the style of late Baroque instrumental music.